![]() Overall, I found the amp models included to be pretty dynamic and touch sensitive, especially when run at higher sample rates. I also enjoyed downloading and trying out the amps from other users via the Positive Grid ToneCloud. This area is for sharing amp models and also the matched amps as well.īy using Amp Match it gives you the ability to learn amp sounds via either mic’ing your own amp or importing a guitar track with a specific amp tone you are chasing, A handy feature and one that can ‘get you in the ballpark’ for certain amp tones you are chasing. ![]() Of course, you don’t need or have to do this, but I would suggest it is one of the coolest aspects of this particular software package. You can easily get lost in this endless tweaking and if like me, you enjoy dabbling, then this is actually a lot of fun and allows you to create some very custom models to play through. It is a simple thing, but does make a difference and means less loading up time and overheads when you just want to play or build your own tones. One thing I did enjoy was that I can run BIAS Amp 2 without loading up my DAW, as it will happily run standalone and it means I could just audition and create my own patches quickly without needing to fire up Logic Pro X on my iMac. Currently, there is a sale on and so you can shave $30 off of each of those two prices as well. ![]() However, you can buy their BIAS FX Standard from $99 or the FX Pro at $199 if you want an integrated effects solution and the two work together, I did not test the effects and so will only be writing about my experiences with the Elite version of the software. Unlike Line 6’s Helix it does not include the effects, apart from a basic reverb and a noise gate, so you need to take this into account if you are really counting the pennies. It caters for different budgets, with the Standard version coming in at $99, Pro at $199 and Elite at $299. Positive Grid’s BIAS Amp 2 has three distinct versions, with the price rising as features are added.
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